Netflix’s shiny biopic of the hair-metal band barely tries to know the destruction it portrays.
Mötley Crüe is canceled! The most recent harrowing #MeToo-era music movie highlights the ’80s steel touchstone’s conduct, which was hardly hidden from the general public however can now be seen for the abuse it was all alongside. The lead singer, Vince Neil, killed a person whereas driving drunk. The drummer, Tommy Lee, is proven punching his first fiancée within the face. Band members harassed harmless bystanders and destroyed their property whereas habitually treating girls like dishrags. Time’s up on the glorification of all that.
Or not. The Dust, a brand new Netflix biopic, is co-produced by Mötley Crüe and adapts the 2001 memoir the 4 bandmates co-wrote with the journalist Neil Strauss. It’s a Stroll Onerous–model mythologizing of their stumble from dive-bar brawls to hydraulics-enabled arenas. That journey generated little or no enduring music however did assist set a visible template of male extra, a proven fact that the band members now appear too thick to even recognize. Aluminum-siding riffs and hernia-evoking growls don’t rule as we speak’s charts, however the star rapper Travis Scott has been at the least copying Tommy Lee’s onstage carnival gear—a truth about which Lee has been raging in caps-lock on Instagram.
Saran-wrapped aesthetically with an unearned sense of uplift, The Dust is as dorky as Bohemian Rhapsody, which implies it’ll most likely be a smash. On a scene-to-scene foundation, the director Jeff Tremaine (greatest recognized for Jackass) truly builds pressure and tells a clearer story than Bryan Singer and Dexter Fletcher managed to do with final 12 months’s Queen biopic. However the hammy voice-over work by Tremaine’s 4 leads is mute-worthy alone. Extra grating, particularly given the subject material, the fresh-faced forged (Douglas Sales space as Nikki Sixx, the rapper Machine Gun Kelly as Lee, Recreation of Thrones’ Iwan Rheon as Mick Mars, Daniel Webber as Neil) radiates the affability of campaigning politicians, even throughout its bleariest substance spirals.
Any controversy kicked off by the movie might be unenlightening. The film was slowed down in manufacturing for years, Sixx told Rolling Stone, as a result of at the least one studio boss objected to the opening scene: Lee giving oral intercourse to a girl—in the course of a celebration—who then shoots a geyser from between her legs to the cheering of onlookers. The sequence finally ends up feeling much less like a throwback to the ’80s free-for-all it depicts than to ’90s raunch-coms similar to American Pie.Extra trollish than legitimately offensive, it’s not fairly indicative of the issue right here.
A equally outrageous flip later within the movie will get on the deeper rot. At poolside with the newly minted stars of Mötley Crüe, the grande dame of heavy steel, Ozzy Osbourne, dispenses recommendation: Don’t overdo the medication and intercourse on tour, boys, or else you’ll find yourself “fucking mad.” Presumably as an example his level, he snorts a line of reside ants. Then he pees on the bottom. Then he licks up his personal pee. Sixx, impressed by his idol, pees on the bottom too. Ozzy pushes him away to lick up the youthful man’s urine earlier than Sixx can achieve this himself.
Yeesh. The depravity-chic of rock and roll can certainly work like a black gap, however Black Sabbath at the least pioneered a sort of willful, satanic nihilism. By the point Ozzy’s model had been recycled by Mötley Crüe, any pretense of commentary was gone. “Sure of steel’s trappings (lengthy hair, loud guitars, a sort of spurious defiance) had been appropriated, however this was not heavy steel, as a result of it was not heavy: no doom, no drag,” wrote The Atlantic’s James Parker, reviewing a Crüe modern’s memoir. “Steel’s drama of cosmic exile was ditched in favor of a determined, slurping hedonism.”
Self-indulgence is the person’s prerogative, however Crüe’s concerned extra than simply the self and extra than simply indulgence. That others obtained damage or destroyed by Crüe’s rampages is hinted at in The Dust’s litany of the members’ girlfriends and wives who had been cheated on and casually insulted. One pal, Hanoi Rocks’s drummer Razzle, died within the automotive Neil had been drunkenly driving. The bandmates dedicated betrayals of the bottom type amongst each other too. At one level, Neil, contemporary out of rehab, is obtainable what he believes to be a plate of cocaine, however that truly seems to be heroin.
The Dust is aware of it’s working with darkish stuff, however excuses it as a part of the nice journey to all-time low and again. By the top, with the reunited members performing Crüe’s last live performance in 2015, the band’s survival is portrayed as a life-affirming triumph: the very level of the story. “I can’t say that I apprehensive,” Tremaine advised Rolling Stone about making this film within the #MeToo period. “We’re telling a real story that occurred. You possibly can interpret it nevertheless. I don’t assume we modified the tone of the film to suit the instances or something like that.”
However the public file says that the story was even nastier than what’s proven right here. Lee went to jail for battering his then spouse, Pamela Anderson, in 1998. Neil pleaded responsible to assaulting a girl in 2016. The band settled a lawsuit with a safety guard who alleged they mentioned racist slurs to him, poured beer on him, and directed the group to assault him at a 1997 live performance. Two further passengers not depicted within the movie suffered mind harm from Neil’s DUI wreck. Most obtrusive: The memoir The Dust features a passage through which Sixx cops to Neil and Lee “just about” raping a girl at a celebration. The scene isn’t within the film, and Sixx now says he has no recollection of the occasion and sure made it up in a drugged haze whereas giving interviews to their biographer.
There it’s, the one line that even Mötley Crüe now will now not brag of crossing: rape. But Sixx’s disavowal comes at a cultural second when it’s turn into clear how males afforded a way of impunity—particularly by fame—actually can cross any conceivable line. Manifestly, the film declines to discover that concept or some other clarification for the way the fellows acted. Whereas Sixx is proven as having a demented relationship along with his mom, Lee got here from a cheerful house. It’s not even clear whether or not the titillation of the general public fueled or merely adopted the fellows’ habits. “They weren’t like different bands who raised hell as a result of they thought that’s what rock stars had been presupposed to do,” the group’s tour supervisor says within the film. “Mötley Crüe did silly issues as a result of they had been Mötley Crüe.” The hazard of a doc like The Dust is in displaying pigheadedness as not solely enjoyable and funky, but additionally elemental, inexplicable, and unstoppable. Boys might be boys, boys, boys.